Fire, water, earth, air. Voices of fictional characters – sometimes suggestive, sometimes strict – leading the viewer away from the here and now. Who's talking? The relationship between the hypnotised subject and the hypnotist is mirrored in the spectator's relationship to the screen. 　　"While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow." - Kobo Abe 　　Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.

Fire, water, earth, air. Voices of fictional characters – sometimes suggestive, sometimes strict – leading the viewer away from the here and now. Who's talking? The relationship between the hypnotised subject and the hypnotist is mirrored in the spectator's relationship to the screen. 　　"While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow." - Kobo Abe 　　Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.

皮克斯宣布新实验动画短片《洞穴》(burrow)，地下动物世界，很有童年画书气息，玛德琳·莎拉芬(《咱们裸熊》)执导，将贴片北美11月20日院线上映的《心灵奇旅》。

聚焦地下动物世界，主角是一只想要独居的兔子，打好洞之后却发现有鼹鼠、老鼠等各位热情的邻居上门，原来四通八达，只想独自一兔的它瑟瑟发抖……

聚焦地下动物世界，主角是一只想要独居的兔子，打好洞之后却发现有鼹鼠、老鼠等各位热情的邻居上门，原来四通八达，只想独自一兔的它瑟瑟发抖……

《洞穴》以凶宅慘劇詰問反思居住正義

夜幕降临后的深圳，以临摹世界名画见长的画师分享着日常的生活和技艺。他们既熟悉新兴科技，又精通古典技巧，身份在艺术家与蓝领画工之间不断地切换。在这里，另一段绘画史正跃于纸上。

夜幕降临后的深圳，以临摹世界名画见长的画师分享着日常的生活和技艺。他们既熟悉新兴科技，又精通古典技巧，身份在艺术家与蓝领画工之间不断地切换。在这里，另一段绘画史正跃于纸上。

Prehistoric girl Tahrah, passing through the portal, gets from native stone age in the modern era, where starts her erotic adventures in the campaign two archaeologists and sexually liberated girls, where she finds a kindred spirit. Now she, throwing off from herself prehistoric bikini having sex with everyone, kicks in the Jacuzzi, and participates in group sex. And all would have been nice if the portal of the primitive time in our era have not found Tico, her former lover ...

It’s all the rage to evoke spectacular ‘immersive’ cinema today, but nothing matches the immersion effect of a Siegfried A. Fruhauf film. Agglomerating the textures of cave surfaces with the material traces of filmic processes, Cave Painting offers a trippy visual and sonic journey for the senses that evokes an avant-garde, grunge version of the psychedelia in Stanley Kubrick’s 2001: A Space Oydssey. Don’t blink, or you’ll miss something good. As always, Fruhauf conjures a new world. 　　源自：https://iffr.com/en/iffr/2023/films/cave-painting